Watches and Wonders 2026: Cartier steps up a gear – the Roadster returns, the Santos-Dumont is refined and Privé celebrates 10 years

Cartier shows why they are still the “watchmaker of shapes” during Watches and Wonders 2026. This year's news is not just about new models – but about reactivating iconic lines, experimenting with materials and deepening the artistic expression that defines the maison.

Cartier Roadster – comeback after 14 years

After 14 years of absence the Cartier Roadster makes a comeback, and it is clear that Cartier has fine-tuned the concept rather than just relaunching it. The tonneau-shaped case, inspired by classic sports cars, remains – but the proportions are more balanced and the whole considerably more modern.
The larger model measures 47 x 38 mm and is driven by Cartier's automatic 1847 MC movement, while the midsize version gets a slightly thinner 1899 MC.
In terms of design the Roadster lives on with its car DNA: the date magnifier integrated into the case, the crown that recalls tail lights and the concentric dials that bring a speedometer to mind. At the same time the bracelet has been updated with better ergonomics and a QuickSwitch system for smooth strap change.

This is a model that used to be a bit of a “love it or hate it” – now it feels considerably more obvious.

Santos-Dumont – material meets elegance

With the new Cartier Santos-Dumont Cartier shows how small changes can make a big difference. The focus lies on material: a dial in black obsidian – a volcanic stone – is combined with a new metal bracelet in gold or platinum.

The obsidian is only 0.3 mm thin but gives a deep, lively surface where every dial is unique. At the same time the classic Cartier codes are kept: Roman numerals, chemin de fer minutes and cabochon crown.

The most interesting thing, however, is the whole. The Santos-Dumont moves here from a dress watch on leather to something more integrated – almost like a piece of jewellery, but still strictly horological.

Cartier Privé – 10 years of collector focus

This year marks the tenth anniversary of Cartier Privé, and Cartier answers with six new models where the most noticed is a skeletonised version of the iconic Crash.
The Crash, originally from 1967, is pushed even further in its asymmetry here, where the movement almost looks as if it has melted into the case.
The Privé series continues to function as Cartier's creative laboratory: small editions, historical references and a clear focus on form rather than function. It is also here that Cartier speaks directly to the collectors, not the mass market.

Conclusion

Cartier delivers one of the fair's most interesting collections, not through complications, but through identity.

The Roadster shows that Cartier dares to revive the unexpected
The Santos-Dumont refines the classic through material
Privé continues to drive the artistic heritage forward

It is also clear that Cartier is not trying to be someone else. While many brands chase technical complexity, Cartier leans back on what they do best: form, feeling and history.

And that is enough – more than enough.